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자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제54권 제3호
발행연도
2004.5
수록면
145 - 158 (14page)

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In modern art. body appears as artistic performer, material or producer. and is expressed as `social environment body` which is changed in the relationship with its society and culture. The correlation between body and clothing image appears in`body as expression object` which directly borrows human body or sets up a section of human body.`body as medium` in which clothing substitutes body. and`body as image`in which image of body reappears along with clothing. The results of analysis are as follows : First,`image of expansion and exaggeration` to expand the influence of clothing thereby disclosing illusion of material civilization prevalent in our society, and make metaphor of dwarfish human`s lurking fear by transforming and exaggerating human body Second.`image of restriction and suppression` to express the loss of humanity. power and restriction of modern society with fixing and cruelty of body image through clothing which disregard body function. Third,`image of open and fluidity to criticize the extinction of values of human existence and standardized figure of our society by reducing three-dimensional clothing and body to untypical form or introducing the image of absent of human body to clothing. Fourth,`image of reversion and paradox` to express practical clothing object with unwearable material. or cause confusion of sex and identity by expressing dual aspects of body at the same time, In this study. which is focused on correlation between body and clothing and the meaning of them. 1realized that, even though artistic clothing expressed image of distortion and deformation of human existence as essential subject of body, they, in most contents. were used as medium of communication to rediscover human dignity and identity, and consisted of a series of metaphoric network of meanings satirizing aspects of our society.

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