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This paper aims to clarify the essence of Tolstoy’s ‘good art’ and it’s meaning in his late essay What Is Art? in junction with Community Arts of 21th. Since its first appearance in 1897, Tolstoy’s What Is Art? has simulated dispute. The main issues among the dispute have been the unremitting moralism of the essay in its approach to art, and the arbitrary and unique theory of ‘good art.’ In his essay Tolstoy defines good art “in the full meaning of the word” as an expression of a feeling or experience in such a way that readers(audience) can share that feeling or experience. According to Tolstoy, good art is intelligible and comprehensible to most people, and the most important quality of art work is its sincerity. Any true work of art expresses original thoughts and feelings of everybody. The highest feelings which art express are related to religious perception. Tolstoy emphasizes the infection of the feeling which comes from the religious perception, and considers it as a basic condition of sincere art.
In this paper we examine the concept of Tolstoy’s universal(good) art and his ideas of future art, which are interestingly realized in today’s Community Arts activities. More than 120 years before the concept of ‘Cultural Democracy’ appears, Tolstoy advocated ‘Art for Everyone’, and penetrated the models and value of Community Arts. The main issues in Tolstoy’s What Is Art? are newly presented at the scene of the 21th Community Arts.
#톨스토이
#좋은 예술
#감정의 전염
#종교적 자각
#공동체 예술
#모두를 위한 예술
#문화민주주의
#Tolstoy
#Good Art
#Infection of Feeling
#Religious Perception
#Community Arts
#Art for Everyone
#Cultural Democracy
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