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논문 기본 정보

자료유형
학술저널
저자정보
한혜리 (경성대학교)
저널정보
한국무용교육학회 한국무용교육학회지 한국무용교육학회지 제27권 제3호
발행연도
2016.1
수록면
129 - 144 (16page)

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초록· 키워드

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The study on the relationship between the communication system of dance and cultural phenomena concerns the cultural factors that are involved in the interpretation of symbolic images of dance. The relationship between the method of dance interpretation (or reading) within the context of artistic communication and the symbolism and culture in the area of visual culture reading was discussed by exploring the factors that serve as cultural variables in the symbolic images of dance to derive the following conclusion: The communication of contemporary dance does not pursue to create new forms or contents of dance or find a target of communication to choose or develop the right communication media through an expansion. Rather, it believes that accessibility of dance as a form of art is the expansion of communication, and it is displayed as a cultural phenomenon that is analyzed, interpreted, recorded, or remembered. Dance is examined through cultural phenomena not with knowledge or decoding, but with individual psychology. In the end, the meaning and value of dance are internally created when individuals' different psychology form a community (or group). This is perceived as a cultural phenomenon that shows the relativity of factors on which the activities of ideology works essentially on the system of symbols. Contemporary dance is involved in the groups (or communities) of mankind and the different identities of their members. Therefore, the iconological interpretation of dance is examining the scope and contents of dance through cultural phenomenon as the cultural variables that occur in dance as a form of sensual images for perception due to regional and emotional differences, beyond the expression and style of dance. In this respect, the iconological interpretation is not about reproducing what is seen, but seeing what was not seen or felt before and giving meaning to it to ask traditional and historical questions about the image of dance and the determination to analyze and diagnose its correlation with the present to accept the endless chain of meaning generated in the interpretation of dance for culture.

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