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자료유형
학술저널
저자정보
최소담 (전주대학교)
저널정보
한국근대영미소설학회 근대영미소설 근대영미소설 제28권 제2호
발행연도
2021.8
수록면
59 - 82 (24page)

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Mark Twain’s Adam and Eve stories complete his otherwise partial and racial portrayal of fictional women with its introduction of Eve, a non-black woman, as well as the first woman of the western, Christian world. The Diaries of Adam and Eve unfolds through the way Twain negotiates his feminist thinking into his writings without losing his warmhearted love of the women surrounding him. I will locate Mark Twain, the author writing under a pseudonym, and Samuel Clemens, the private individual, in the nineteenth-century sex and gender debates and explore Twain’s feminism through the portrayal of his fictional women, Aunt Rachel in “A True Story, Repeated Word for Word As I Hear It,” Roxana from Pudd’nhead Wilson, and most importantly, Eve from his posthumous publication, The Diaries of Adam and Eve. Although I focus mostly on Eve, Aunt Rachel and Roxana help us navigate Twain’s ambivalent positioning in their gendered speech acts and performances. I argue that Twain’s literary trajectory from his creation of provocative, radical African American women to the first woman of the world beyond race demonstrates Twain’s unending literary and psychological negotiation between the “True Women” and the “New Women” gender discourses and his final literary and personal remarks on gender and sexuality.

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