지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study begins by setting Japan as the other within the realm of popular culture, serving as the focal point of the research. The objective is to examine the evolution of discourse surrounding “Empire Japan” as an other within Korean society’s cultural domain. This study reviews the conceptual understanding of “imperialism” and “Empire Japan” and theoretical discussions regarding cultural imperialism theory, providing the analytical foundation. Regarding research content, an analysis of the discourse related to the opening of Japanese popular culture in 1998 and the Korean Wave phenomenon that occurred in Japan after 2003 was conducted.
This process revealed that the construction of discourse on "Empire Japan” takes on varied forms depending upon temporal and societal shifts. We examine the discourse on “Empire Japan” from the perspective of cultural imperialism, revealing its evolution influenced by changing trends and Korea"s economic and political advancements, ultimately leading to its gradual attenuation. As elucidated, the discourse on “Empire Japan” within popular culture represents a process of ideological reproduction. However, the Korean Wave phenomenon in Japan underscores a different dimension wherein “Japan” as an Other, as perceived in Korea, assumes a distinct national identity characterized by celebrity status through the Korean Wave. Ultimately, it seems reasonable to understand this as the operation of post-imperialist hegemony, breaking away from the hegemony of “Empire Japan”, which formerly operated as an ideological construct.
This process revealed that the construction of discourse on "Empire Japan” takes on varied forms depending upon temporal and societal shifts. We examine the discourse on “Empire Japan” from the perspective of cultural imperialism, revealing its evolution influenced by changing trends and Korea"s economic and political advancements, ultimately leading to its gradual attenuation. As elucidated, the discourse on “Empire Japan” within popular culture represents a process of ideological reproduction. However, the Korean Wave phenomenon in Japan underscores a different dimension wherein “Japan” as an Other, as perceived in Korea, assumes a distinct national identity characterized by celebrity status through the Korean Wave. Ultimately, it seems reasonable to understand this as the operation of post-imperialist hegemony, breaking away from the hegemony of “Empire Japan”, which formerly operated as an ideological construct.
목차
1. 들어가며
2. 이론적 배경
3. 대중문화에 나타난 ‘제국 일본’
4. 나가며
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