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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 신영어영문학회 신영어영문학 신영어영문학 제66집
- 발행연도
- 2017.2
- 수록면
- 211 - 233 (23page)
- DOI
- 10.21087/nsell.2017.02.66.211
이용수
초록· 키워드
오류제보하기
Collectively, all Gothic texts include scenes of decay, immorality, and malevolence, which have a destructive impact on main characters. Within Southern Gothic texts, however, traditionally European depictions of dark, moonlit castles are replaced by dilapidated antebellum mansions. Tyrannical despots and sexually immoral religious figures are superseded by psychologically unstable individuals, tormented by real or perceived threats to security. Although imbued with some elements of Gothic works, Flannery O’Connor’s stories do not fit the classic mold. To ascertain the degree to which O’Connor’s work may be classified as Gothic, the following study systematically explores her short stories for literary devices. Results reveal that Gothic elements are utilized, yet they have a distinctly different purpose. Rather than cultivating a sense of fear or depravity, they display a message of God’s grace, designed to elicit introspection from the reader. Secondly, O’Connor’s stories reveal not only internal supernatural mysteries, through the behaviors of individual characters, but external supernatural secrets, through godly manipulation of the environment. A dual purpose of the Gothic mode, as an exemplifier of both internal and external divine influence, makes O’Connor’s work truly unique.
목차
I. Emergence of the Gothic Genre
II. Southern Gothic Literature
III. The Works of Flannery O’Connor
IV. Conclusion
Works Cited
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UCI(KEPA) : I410-ECN-0101-2017-840-002303065