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인문학
인문학 일반 역사학 철학 종교학 어문학 기타 인문학
사회과학
사회과학 일반 경영학 관광학 교육학 군사학 문헌정보학 법학 사회학 신문방송학 심리과학 정치외교학 지리학 행정학 경제학 무역학 인류학 기타 사회과학
자연과학
자연과학 일반 물리학 생물학 생활과학 수학·통계학 천문학 지구과학 화학 기타 자연과학
공학
공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
의약학
의학 일반 간호학 수의학 약학 한의학 기초의학 임상의학 기타 의약학
농수해양학
농수해양학 일반 농학 수산학 식품과학 임학 축산학 해상운송학 기타 농수해양학
예술체육학
예술 일반 디자인 미술 미용 사진 음악학 의상 체육 공연매체예술 기타 예술체육학
복합학
학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국외국어대학교 동남아연구소 동남아연구 동남아연구 제27권 제1호
발행연도
2017.1
수록면
35 - 64 (30page)

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초록· 키워드

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Related with the woman body discourse that happened a lot in the works of contemporary Indonesian female authors, the one noteworthy was that it’s often found out the close connection between dances as expression through body, and woman body. In the works of the female authors, it frequently found that dance for woman revealed as an active way to show their sense of identity. Considering definition of dance as culture and art element that showed people’s life and feeling through body moves as nonverbal communication, it could be said that looking for the meaning of dance inside the literature works is very meaningful and fascinating. Based on those things, this research has aims to discuss the meaning of dance that melt inside the women life through the Indonesian female authors’ works. Looking the reality that the subject of this research is reading the meaning of dance inside the Indonesian female authors’ works, thus the research materials are three works of females authors that showed strong connection between the dance and the woman protagonist (leading female role), namely Pada Sebuah Kapal by Nh. Dini, Saman by Ayu Utami and Tarian Bumi by Oka Rusmini. From the discussion about the issues, the summary of this research can be stated as follow, first, Sri’s dance in Pada Sebuah Kapal could be understood as an expression or her sense of identity as a woman. Because Sri was born as fifth child who’s actually unwanted by her parents and rarely communicate with others, she just observed her surround people. However, when she’s dancing, she could communicate both with herself and others. Through dancing, she had courage to say out loud her feelings and mentalities. Second, Shakuntala in Saman celebrated herself through dance. Through dancing, she showed the rights of her body that was belong to her, not to others or society norms. Her dance also confirmed her rejection to be just the dancer, which is “part of celebration for them.” Finally, Luh Sekar dance in Tarian Bumi could be said have strong connection to the power and the desire of women. She danced to get attention and love from men of higher caste. Thus, dance for her was a tool to achieve anything she’s ever wanted, for example higher social degree and power in the society.
#Woman's dance #Woman's body #Sense of identity as a woman #Woman's rights of her body #The desire of a woman toward the power

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참고문헌 (29)

참고문헌 신청
Allen, Pamela / 2003 / Marrying up in Bali: A Review of Tarian Bumi by Oka Rusmini / Inside Indonesia google schola Azali, Kathleen / 2012 / Ronggeng Dukuh Paruk: Seksualitas &Penghayatan Sang Penari / Bhinneka google schola Budianta, Melani / 2003 / Merekam Penulis Perempuan dalam Sejarah Kesusastraa. Wawancara / Jurnal Perempuan 30 google schola Budiman, Manneke / 2015 / Indonesian Women Writers / Regiospectra google schola Damono, Sapardi Djoko / 2004 / Bayang-bayang Perempuan Pengarang / Kompas google schola

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